Good Me Bad Me by Ali Land

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We often wonder how much of ourselves is the direct result of where we come from; what is predetermined by what is running through our veins, and what is the result of our surrounding environment. And it's often an inconclusive venture to discern nature vs nurture when determining why someone did or didn't do something, and no one understands this more than Milly Barnes, facing her daily struggles of Good Me Bad Me. Daughter to a serial killer, the one and only witness to her mother's crimes, and the one to turn her into the police, she is placed in an affluent foster home and enrolled in private school. But as her mother's trial approaches, Milly is constantly faced with a choice: which wolf to feed? 

Good Me Bad Me is a thrilling twist on the age-old question, how far does the apple fall from the tree? Is that something we can even control, and to what extent? Milly and everyone in her world are about to find out.

Hers is a story unlike any other. Hauntingly and disturbingly seductive, it definitely highlights a horrific twist on an all-too-common crime. Good Me Bad Me is unsettling yet captivating and will crawl under your skin and suck you even though you may not want it to. It is brutal and unforgiving, the skillfully disembodied prose giving the story structure and depth and texture, with odd moments of humanity and tenderness, if any exists in such a terrifying scenario. Land - by way of Milly - leaves no stone unturned, and although there isn't the proverbial climactic twist at the end, the book positively drips with suspense. I read it in two days and I suspect you might too. ⭐⭐⭐⭐/5 on my goodreads profile.

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The Widow by Fiona Barton

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I happened across a goodreads review of The Widow by Fiona Barton that lamented the book description - or lack thereof - on the book jacket, labeling it as "misleading." I can understand that assessment, but I am one of those readers for whom the limited description is written. In fact, I would never have purchased the book (albeit for dirt cheap) had the synopsis been any more detailed. There is one particular element of which the entire story revolves, even though it is actually quite secondary to how everything generally unfolds, that I don't like, and if you read The Child, it's that. But the surprising plot and unsettling narrator kept me reading to an unpredictably predictable ending.

After years of being the dutiful wife, helping her husband through the literal trials and tribulations of being accused of horrible crimes, Jean's husband is suddenly dead. And the things she held to so tightly, things she believed, things she wanted to believe, and things she suddenly couldn't ignore, come rushing back to the surface and people are just dying to know what she knows. But the big question looms - what on earth could she possibly say? And can she be trusted to tell the truth?

Jean is quite possibly one of my favorite narrators, the last line of the first chapter hooking me and reeling me in: "Everyone was very kind and trying to stop me from seeing his body, but I couldn't tell them I was glad he was gone. No more of his nonsense." There is no way most of us can relate to exactly what Jean is dealing with throughout this novel, but there is always something us readers can recognize within ourselves; "It was my fault, too. Because I was the wife." The story, though unsettling, progresses well and clearly, the most uncomfortable aspects handled with grace and dignity. The alternating perspectives and timeframes can get a little muddy, but the story still flows nicely and offers up some very intriguing twists and surprises and laugh-out-loud moments. Oh, that Jean!

The Widow is a compelling novel that you'll find yourself reaching for out of impulse and a slight voyeuristic compulsion, with a story that is methodically and articulately laid out but still able to keep us guessing. Barton expertly, though sensitively, brings to light broken facades we usually find such security in, like the media, police work, and our friends and family. You will definitely want to know how it all ends.

⭐⭐⭐⭐/5 on goodreads

A Stranger in the House by Shari Lapena

Domestic psychological thrillers are obviously nothing new, but with the seemingly simultaneous launch of Gone Girl and social media - and using social media as the new word-of-mouth - the authors of these novels have started to become even more well-known than King, Grisham, and Patterson. A common theme throughout Breanne's Bookshelf is, in fact, Instagram-popular authors, so that is how I came to read The Couple Next Door by Shari Lapena and how, even though I was grossly disappointed and unimpressed by the book, I learn about every subsequent novel she has published since. I'm too wary to purchase one at full-price, but when I came across A Stranger in the House at a book sale and read the synopsis, I felt it was worth a shot, and - praise the book gods - it was.

In what is quickly becoming cliche, Karen is your typical housewife (though that seems pretty indefinable these days), without so much as a parking ticket to her name. As she prepares dinner one night for her and her husband of just two years, the phone rings. It's a call she always expected to get but hoped never would, and in a flash, she's left the house, leaving behind her phone and purse, and without locking the door. The next thing she knows, Karen is in the hospital after slamming her car into a telephone pole in a rough New York neighborhood that she's never been to before. To add suspicion to injury, Karen can't remember what she was doing there in the first place, what happened before the accident, and why.

The story is mysterious enough to capture my interest throughout the first half of the book, but after that, the shocking twist - the Big Reveal - is mostly that I've abruptly turned to reading for the last page, as that is the next most interesting thing to happen. Up until the very last chapter, the story and characters don't extend beyond what we're so used to in pretty much all domestic psychological thrillers these days.

A Stranger in the House is written well enough, it's a quick read that will provide you a moment of fictitious escape, or - like it did for me - make you want to (re)watch Desperate Housewives. Does anyone else just *love* Brigid?! 🤩 And even though I did enjoy - and am surprised by - the twist that comes in the last chapter, it also left me a little disappointed and gypped; what an underdeveloped character Karen turns out to be! I came to realize, as I closed the book, that she could have been a lot more dynamic, dimensional, and interesting, which is why I gave it ⭐⭐⭐/5 on goodreads.

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Mercy House by Alena Dillon

A very lovely lady, who said she enjoyed my reviews 😁, messaged me to recommend Mercy House by Alena Dillon, a recently published read that I might have overlooked had it not been for this fellow book-minded individual, even though Amy Schumer praised it as, "...the book we've been waiting for." The story is intriguing and captivating, if not angering, though I wouldn't agree that this is the book we've been waiting for, so much as the book that has existed for thousands of years that we've done a stellar job of ignoring.

In an unassuming row house in Brooklyn, with a most unassuming angel doorknocker, is Mercy House. Run by Catholic nuns, the house offers a safe haven and rehabilitation to women escaping otherwise violent home-lives. In a twist of all-to-real irony, Mercy House, and those like it, are being investigated by the Catholic Church in order to make sure that their activities are in-line with Catholic doctrine, and the Bishop investigating Mercy House just happens to be a man with whom Evelyn - the head nun - shares a dark history. Both in a battle with her own anger and self-inflicted guilt, Evelyn and her ragtag team of nuns and House residents will work to save not only Mercy House, but themselves in this fast-paced, empowering novel that is sure to spark raw emotions and deep discussions.

Mercy House is a difficult story, both in the tales of violence as well as in the learning of it, and Dillon handles the complex issue of abuse with grace and aplomb. Her writing conveys the horrors within the Catholic walls without being overly traumatic in the telling, and she is able to stir just the right amount of emotion, which is ignited even further by her research. Though a fictional tale with fictional characters, Dillon draws upon several real stories, which is, ultimately, the heart-breaker.

I can't say I "enjoyed" this book because it tackles some very unfortunate subject matters, but Dillon tells a remarkable, important story. The only thing, really, that kept me from giving it five stars on Goodreads is that I feel there could have been a broader spectrum of ways in which a person - women - can be abused and victimized by others - men. There is a lot of what we're used to hearing about regarding the underbelly of the Catholic Church, but not really anything different, and, unfortunately, there is more than one way to skin a cat.

Though I am not Catholic - or religious by any measure of the word besides believing in God - Mercy House is surprisingly relatable. It is also very entertaining and empowering and not just to women, but to anyone who has been made to feel like their love and service to others is a sin.

⭐⭐⭐⭐/5 on goodreads. CLICK HERE TO BUY. $5.00 NEW CONDITION