The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix

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If you've ever said, or even just thought to yourself, I wish something exciting would happen, Patricia Campbell is here to tell you that that's not a good idea. Grady Hendrix's The Southern Book Club's Guide to Slaying Vampires is a complete surprise, in all of the most brilliant ways, sucking me into the real-life hilarity of Patricia and her friends, then immediately horrified by some truly gruesome and frightening scenes.

Patricia is a stressed-out Southern wife and mom, caught up in the continuous rut that has become her life, with an even more stressful book club. After a particularly upsetting (though funny) meeting where it was revealed that no one actually read the book, Patricia and a few stragglers start their own club, devoted to the true crime genre, tempting Patricia with the idea that things would be better if they were just a little more exciting. Then into the neighborhood moves James Harris, an enigmatic, handsome stranger who not only does Patricia feel drawn, but also unnerved. What unfolds is a quirky, sometimes hilarious and sometimes horrifying, novel of friendships, coming of age, even as adults, and super natural monsters who not only scare the bajeezus out of us, but also make us realize that anything is possible, including us. 

This book is absolutely brilliant. So well does it capture the monotonous, though unpredictability, of motherhood and wifedome, I was actually surprised such relatability came from a man. In the author's note, he said he wanted, "...to pit Dracula against my mom," and it would appear that he has a great understanding and appreciation for that role. And the vast differences between how the wives behave versus the husbands is crafty and sharp. 

The Southern Book Club's Guide to Slaying Vampires is a horrifyingly good time, with lots of humor, lots of heart - and not just the bleeding kind - it's quippiness reminiscent of Netflix's Dead Like Me and The San Clarita Diet. I definitely recommend this book, perfect for reading during this time of year, or if you're ever in the mood for a fun scare. And though My Best Friend's Exorcism is not the prequel, it did spawn this novel, making it another to-read.  ⭐⭐⭐⭐/5 on my goodreads profile.

Something in the Water by Catherine Steadman

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If you're looking for the perfect end-of-summer read, then look no further than Something in the Water. A brilliant debut by Catherine Steadman, it is a perfect book for when it's still hot outside, but you can feel the cooler shift in the weather, bringing out the subtle creepiness that constantly lurks just beneath the surface.

Erin is a documentary film maker, about to produce the film that will launch her career. Her fiancé, Mark, is an ambitious investment banker intent on coming back harder and stronger after the collapse of the financial markets, and they take a break from it all in order to enjoy a beautiful honeymoon in Bora Bora. Five Star hotels, amazing food, romantic bungalows, exciting activities, and fierce love-making all come to a halt when the couple goes scuba diving and finds...something in the water...

A subtly eerie story that sucks you under until you suddenly find yourself 200-pages deep, Something in the Water is not your usual Psychological Thriller. Though the story isn't all that shocking, the subject matter is surprisingly interesting, with a slow burn of suspense that, at times, leaves you breathless. Like a roller coaster, this book takes you on one wild ride until you're suddenly back to the beginning, which you had completely forgotten about. The final twist is one you knew was coming, but Steadman is still able to offer up some devilish details.

The writing is interesting, reading like your best friend is telling you all about her honeymoon over a bottle (or two) of wine, complete with random moments of levity and hilarity. But - also like sharing a story with your friend - there are moments of slight intensity where I had to consciously take a break so my brain could resurface back to reality.

Something in the Water is a definite page-burner, one that will swiftly carry you away with the summer. ⭐⭐⭐⭐/5 on my goodreads profile.

Where the Crawdads Sing by Delia Owens

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Even those non-bookworms among us have heard of - and great things about - Delia Owens's beautiful debut novel, Where the Crawdads Sing, promoted by everyone from Reese Witherspoon to Instagram makeup Influencers to your good friend who enjoys fishing in places similar to the book's North Carolina setting. And I most definitely understand the hype and adoration for this lyrical tribute to things, people, and places we know little about.

"Kya" - also known as "Marsh Girl" by nearby villagers - has lived in solitude deep in the North Carolina marsh, learning everything nature has to teach her, since finding herself slowly abandoned by her family and ostracized by the community, surviving and living and loving among the birds. Kya is smart and strong and creative, and though she has accepted and swiftly navigates the life she lives, as she grows into a beautiful, young woman, she wonders how the opposite must feel; to be loved, touched, and kept sacred. Where the Crawdads Sing is a highly emotional, incredibly moving, coming-of-age story, pulled along by a vague murder mystery and frosted by an intelligent courtroom drama, though - ingeniously - the two are not stand-alone stories; one cannot exist without the other.

The writing is melodic and serene, delicately painting the lush swamp and marshland with lustrous talent and intellect for this incredible, mysterious, ecosystem. In her own right, and as a result of her surroundings, Kya is sad but strong, scared yet brave, secluded yet attractive, the story moving as slowly as the marsh waters it honors, not picking up any speed until it reaches the chaotic, open ocean that becomes the murder investigation of the local popular guy, Chase Andrews. The story then slows to a gentle ending that was surprising in the way that it wasn't. Owens leads you through the story as if she were Kya gliding through the still waters, which - as we all know - run deep.

As a nature-lover myself, and as someone who wants to wander into the wild, never to be found, to dwell amongst the deer and bears and bugs of the woods, to forget my unrequited love, I was drawn to Kya's story, her determination, and her knowing enough to believe in herself. This is definitely a great read for when you have the time and are in the mood for a good, hearty tale. ⭐⭐⭐⭐/5 on my goodreads profile.

Good Me Bad Me by Ali Land

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We often wonder how much of ourselves is the direct result of where we come from; what is predetermined by what is running through our veins, and what is the result of our surrounding environment. And it's often an inconclusive venture to discern nature vs nurture when determining why someone did or didn't do something, and no one understands this more than Milly Barnes, facing her daily struggles of Good Me Bad Me. Daughter to a serial killer, the one and only witness to her mother's crimes, and the one to turn her into the police, she is placed in an affluent foster home and enrolled in private school. But as her mother's trial approaches, Milly is constantly faced with a choice: which wolf to feed? 

Good Me Bad Me is a thrilling twist on the age-old question, how far does the apple fall from the tree? Is that something we can even control, and to what extent? Milly and everyone in her world are about to find out.

Hers is a story unlike any other. Hauntingly and disturbingly seductive, it definitely highlights a horrific twist on an all-too-common crime. Good Me Bad Me is unsettling yet captivating and will crawl under your skin and suck you even though you may not want it to. It is brutal and unforgiving, the skillfully disembodied prose giving the story structure and depth and texture, with odd moments of humanity and tenderness, if any exists in such a terrifying scenario. Land - by way of Milly - leaves no stone unturned, and although there isn't the proverbial climactic twist at the end, the book positively drips with suspense. I read it in two days and I suspect you might too. ⭐⭐⭐⭐/5 on my goodreads profile.

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The Last Mrs. Parrish by Liv Constantine

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I did something all us bibliophiles swear to never do but actually do with every one of our book choices and I picked The Last Mrs. Parrish by Liv Constantine based solely on the cover. I was headed off on vacation, with ample amounts of pool-time in my imminent future and if there's one thing I love, it's a good theme. The cover screams "pool read," and the story requires minimal focus so you can still succumb to all of the "Mom, watch me!"s coming from your kids in the water.

Amber Patterson has a grudge. Not against anyone in particular, just whoever looks like they might be enjoying their life just a little too much. Growing up poor and forgotten, Amber has set her sights on rich, center-of-the-affluent-Universe, Daphne Parrish, in a manipulative scheme to usurp her. But what could have been a Master Class in Manipulation, turns cheap and tawdry and is more like Manipulation for the Mindless.

With insipid characters and a storyline to mimic The Wife Between Us by Greer Hendricks and Sarah Pekkanen, The Last Mrs. Parrish is a colossal disappointment, but the Devil is in the details. This book is painfully despicable, tasteless, disturbing, crude, and isn't so much duplicitous as it is easy and skanky. The writing is cheesy and inauthentic, and the story is overly long and drawn out and never actually reaches its synopsis, making it feel exhausting.

I didn't feel compelled to award any stars to The Last Mrs. Parrish on my goodreads profile, if you are looking for a good Domestic Noir, look elsewhere. 

The Silent Patient by Alex Michaelides

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I picked up The Silent Patient by Alex Michaelides in much the same fashion as everyone else who has ever decided to give it a go - obvious curiosity for "But why does she not speak?" (Euripides) But as I started to burn through the pages, I developed a different reaction to this book altogether. I stopped caring about, and wanting to know why, Alicia Berenson - a famous painter married to an in-demand fashion photographer - refuses, or is unable, to speak, and I just got it. I absolutely get why, after shooting her husband in the face five times while he was tied to a chair, Alicia never spoke another word. And by the end of the book, I was ready to shoot every character in the face five times.

Alicia Berenson is tucked away at a secure psychiatric unit in North London when, like most in the field, Criminal Psychotherapist, Theo Faber, becomes entranced by the story. Also like most in the field, he is positive that he is the one to rescue her, to save her from herself, and to save The Grove from imminent closure. Alicia's case quickly becomes his main focus, questionably blurring the lines between patient and therapist in a self-satisfying effort to truly understand her.

The story is intricate and well-told, with a lot of moving parts that Michaelides deftly keeps from getting too complicated. It is a definite page-turner, and offers up a serious twist that will make even the most seasoned reader gasp. It irritatingly reads more like a crime novel, the upside being that Faber is not actually a Detective, which, for some reason always gives characters a level of arrogance I cannot stand. The Silent Patient shouldn't necessarily be categorized as a psychological thriller, either, but more of a dramatic thriller, reminiscent of You by Caroline Kepnes.

The writing is clear, concise, and invokes some serious introspection, which all novels are meant to do, but this book far surpasses the norm, at least for this reader. In much the same way the book discusses transference, Alicia stops being simply a character and becomes a representation; I am her and she is me. We think of death as the cease to function by our physical bodies, not realizing or acknowledging how many times we die on the inside, while our bodies continue to plug away like machines. 

I really had to think about my goodreads rating before I made it and ultimately settled on ⭐⭐⭐⭐/5. The Silent Patient will definitely leave a lasting impression.

The Widow by Fiona Barton

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I happened across a goodreads review of The Widow by Fiona Barton that lamented the book description - or lack thereof - on the book jacket, labeling it as "misleading." I can understand that assessment, but I am one of those readers for whom the limited description is written. In fact, I would never have purchased the book (albeit for dirt cheap) had the synopsis been any more detailed. There is one particular element of which the entire story revolves, even though it is actually quite secondary to how everything generally unfolds, that I don't like, and if you read The Child, it's that. But the surprising plot and unsettling narrator kept me reading to an unpredictably predictable ending.

After years of being the dutiful wife, helping her husband through the literal trials and tribulations of being accused of horrible crimes, Jean's husband is suddenly dead. And the things she held to so tightly, things she believed, things she wanted to believe, and things she suddenly couldn't ignore, come rushing back to the surface and people are just dying to know what she knows. But the big question looms - what on earth could she possibly say? And can she be trusted to tell the truth?

Jean is quite possibly one of my favorite narrators, the last line of the first chapter hooking me and reeling me in: "Everyone was very kind and trying to stop me from seeing his body, but I couldn't tell them I was glad he was gone. No more of his nonsense." There is no way most of us can relate to exactly what Jean is dealing with throughout this novel, but there is always something us readers can recognize within ourselves; "It was my fault, too. Because I was the wife." The story, though unsettling, progresses well and clearly, the most uncomfortable aspects handled with grace and dignity. The alternating perspectives and timeframes can get a little muddy, but the story still flows nicely and offers up some very intriguing twists and surprises and laugh-out-loud moments. Oh, that Jean!

The Widow is a compelling novel that you'll find yourself reaching for out of impulse and a slight voyeuristic compulsion, with a story that is methodically and articulately laid out but still able to keep us guessing. Barton expertly, though sensitively, brings to light broken facades we usually find such security in, like the media, police work, and our friends and family. You will definitely want to know how it all ends.

⭐⭐⭐⭐/5 on goodreads

Sweetgirl by Travis Mulhauser

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"The thing is, not all junkies are like you see in the movies."

Things aren't always what they seem, a general theme that seems to be running through my book choices as of late and Sweetgirl by Travis Mulhauser definitely epitomizes this finite rule. There are some difficult scenes, two of which take place within the first few chapters, but to really grasp and appreciate the story, you need to continue reading into chapter four, though I know some readers might feel a strong urge to chuck it before reaching page 30. But, as we all can agree, things aren't always what they seem. Sweetgirl is harsh and unforgiving, but also has heart and serves up a good dose of empathy and humanity.

In the midst of a treacherous snowstorm, Percy James sets out to find her drug addicted mother who hasn't returned home in almost two weeks. Searching an old farmhouse-cum-Meth-lab where her mother was last seen, Percy instead finds a crying baby covered in snow from a nearby window. Knowing she cannot just leave the baby alone in the room with her parents crashed out downstairs, Percy grabs her and runs for help and the hospital. What materializes accumulates faster than the rapidly falling snow, some scenes resulting in that shocked sort of laughter, and some scenes pulling just so on your heartstrings.

Like most books, the story is good enough that you want to know how everything turns out in the end. But, as I said, there are some difficult scenes and Sweetgirl is the first book that I skipped ahead to make sure something didn't happen that I was afraid was going to happen. The dialogue between Percy and Portis is infuriating, and even though I appreciate the hearty dose of humanity, the book reaches a point where we almost know too much about the characters so the story lacks any real suspense until after the first half, but not for lack of trying; like a drama that wants to be a thriller, something just doesn't translate properly.

The description of the setting is often confusing, getting bogged down with street names that don't mean anything to anyone besides the author. There are some scenes, however, where the imagery prevails and things sort of redeem themselves. The first half feels different than the second, like this novel couldn't decide what it wanted to be. It's a short read that isn't terrible but probably not the best thing you've ever read, either. ⭐⭐⭐/5 on goodreads.

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